A film producing company is in a big crisis, after their camera equipment was stolen. To boost their financial situation, they take advantage of a program, where the city is paying good money, if they give shelter to refugees.

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Based on a true story from 1936: Klara Baumann, a working-class woman, communist and mother, flees her German homeland for neighboring Czechoslovakia. When a party courier is arrested in Berlin, Klara agrees to return to Germany with illegal material. On behalf of the central courier service, she returned to Germany illegally many times, risking her life, in constant fear of being caught. When the illegal party cell in a large Berlin factory is arrested, Klara distributes the latest issue of the Red Signal on her own. She wants to prove to the Gestapo that she has imprisoned the wrong people. Authentic story of a communist and mother who flees her German homeland for neighboring Czechoslovakia in 1936.

In the tranquil Styrian highlands, the waves rise when an Italian earthquake victim threatens to expose a dark family secret. Highly dramatic, enthralling and high-carat busy. Right down to the supporting roles, Austrian celebrities can be found in this modern Heimat film, which tells of the imponderables of love.

Ada Hänselmann presents her debut novel. However, the numerous guests are only interested in the 82-year-old legendary actor Nino Winter and his autobiography. The two meet again in the evening at the hotel bar. Ada involves Nino in a game - he is supposed to play a detective and shadow her. After a tour of the city, the games continue: Both are to answer any five of the other's questions honestly. Nino is skeptical, but eventually there are hundreds of questions, big and small, casual and existential, about life, love, fame, transience: what would Nino look like as a woman, what was nature thinking when it created the family, what does love sound like, what does death mean? Ada and Nino become allies of the night. They have to jump over their own shadows and a magical closeness develops between them. It is an encounter that neither of them will ever forget...

Robert Schumann’s secular oratorio Das Paradies und die Peri, created and first performed in 1843. The libretto derives from a German translation of a verse epic by the Irish writer Thomas More entitled Lalla Rookh, which in turn makes use of Persian mythology.

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